The Olde English typeface is an interesting example of how a typeface, despite its associations in one time and place, can easily become affiliated with another. Anderson’s 2007 film, this font demonstrates the effect that the Wild West can have on a traditional blackletter. Font by Nihilschiz on fontspace Kraut Type-A-F**kīased on the title typeface for P.T. The shaky baseline and faded letters might make it seem disorderly, but this font is strong enough to support any layout that is incorrigible enough to merit it. Font by rayhan on fontspace Blackletter and Calligraphic Fonts Faith Collapsing Each character appears to be constructed from geometric shapes, with bold lines and sharp angles giving the font a futuristic and tech-inspired appearance. The “Lost in Future” font is a futuristic display font with a sharp and angular design. Font by GregoryFonts on dafont Lost in Future font Its combination of Deco and antiquarian influence may make its pedigree murky, but remix culture dictates that the offspring of unexpected unions can create truly singular forms. Font by Harold’s Fonts on dafont Old Dog New TricksĪn unusual all-caps font, Old Dog New Tricks dips below the baseline to add interest to an otherwise classic serif. Font by Alan Carr on fontspace DominicanĪnother decayed antique face with loads of personality, Dominican is inspired by the time-battered beauty of antiquarian books. This interpretation of the classic Caslon serif adds age and wisdom to a text without sacrificing legibility. Font by Michel Bujardet on dafont Antique and Renaissance Fonts Caslon AntiqueĬaslon Antique is what an original, 18th century Caslon type might look like now: a little worn around the edges, but no less steadfast. AngeGardien’s combination of daintiness and strength, shared with other great vintage typefaces, might be what makes it worthy of protection. The name of this font is derived from the French for “guardian angel,” and its capital letters are indeed guarded by winged figures. Font by J0hnnnie on fontspace AngeGardien Underneath this font’s embellishments are mechanical footprints, adding a hint of steampunk. Font by Disturbed Type on fontspace Space and Astronomy fontįrom the independent digital type foundry, Fountain, Second and Astronomy font combines traces of the past with dreams from the future. Like a cowboy’s stubble, rough edges and scruffy surfaces make this font a more masculine antique. This digital adaptation of wood-type, with a Wild West twang, was designed by Matthew Austin Petty of Disturbed Type. Bittbox not only provides you with a font but a definition: “fusty,” according to their site, means “old-fashioned in attitude and style.” Font by Brant Wilson on bittbox Nashville Inspired by Sideshow, from Harold’s Fonts, Fusty Saddle is a hand-drawn, Wild West-inspired font made digital. Font by Rick Mueller on fontspace Fusty Saddle This font has the flair of an antique display face without the fuss. Rick Mueller’s Tuscan is one of his many vintage-inspired fonts, though its combination of sinuous contours and ample weight makes it memorable. Font by David Rakowski on fontspace Tuscan 17 years later, its balance of monumentality and delicacy makes it a blast from the past that looks memorable in the present. Shareware designer, David Rakowski, designed this font in 1991. Font by Jester Font Studio on dafont Showboat License: Free for private and commercial useĪdditional characters: Yes Font by Emin Gokceoglu on dafont JF RingmasterĪ vintage beauty by Jester Font Studio. The Typeology foundry based this font and its name on an 1884 typeface by D.T. This is another beautiful distressed font that draws inspiration from 19th century display types. Font by Rick Mueller on fontspace Dirty Ames Inspired by fonts like Rosewood and Ponderosa, which are modeled after the display fonts of the late 18th century, Coffee Tin reinterprets old-fashioned advertising graphics with contemporary clarity. Font by Dieter Steffmnann on fontspace Coffee Tin (similar to the Rosewood font) Font by Livin Hell on fontspace Circus Ornateĭieter Steffmann’s Circus Ornate captures the spirit of classic circus graphics, but still stands on its own as an ornamental, boisterous display font. Equal parts macabre and cheeky, it is appropriate for graphics ranging from the irreverent to the horrific. This distressed, wood-type-inspired font has the shabby charm of an old sideshow banner. Wood Type and Display Fonts Carnivalee Freakshow Sign up for a free Jotform account to create powerful online forms in minutes - with no coding required.
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